It seems I am the only American lady living in and writing about Egypt for the last couple of decades. If there were others I would have run into them by now. My non-fiction books, Photography and Egypt (Reaktion Books, 2010) and Cairo City of Sand (Reaktion Books, 2004)  involved extensive historical research alongside an intimate understanding of the country’s present moment, its place in today’s world as much as in that of the past.

In the last few years, writing about Egypt has become rather fraught and frankly repetitive. The political side of the story may be summed up as follows: power seeks to preserve itself and Egypt’s seemingly inflexible authoritarian regime has so far managed to bend with the winds of the Arab Spring without breaking. In terms of Egypt’s fragile desert environment, a topic of many of my articles over time, the main advances that have been made are towards greater destruction. To achieve some intellectual distance, I turned to outer space. Meteorite, a cultural history of space rocks published by Reaktion  in their ‘Earth’ series (2015).

I first became interested in meteorites thanks to a 1999 talk given by Chris McKay of NASA’s Ames Research Center at an Institute of Ecotechnics conference in Aix en-Provence. Dr. McKay noted that since it had been proved that some meteorites on Earth came from Mars, the opposite was probable, that bits of Earth have reached other planets. A growing body of evidence suggests that some meteorites carry chemical compounds or types of bacteria that could survive impacts, so that the building blocks of life as we know it may have been delivered from afar or conversely, Earth may have sent the seeds of life into space.

As a fellow of the Institute of Ecotechnics, I attended many of these conferences uniting scientists, artists and thinkers around themes in the cognitive and planetary sciences and highlighting advances in varied technologies. Founded in 1973 by a group of like-minded individuals who met in the heyday of Haight Ashbury, the Institute’s goal was to develop a discipline to harmonize ecology and technology, forces increasingly at odds. Their grandest effort was Biosphere 2, built in Oracle Arizona in the 1980s, a miniature Earth enclosed in glass (the size of two football fields) replete with 3800 species of life, everything from pigs to hummingbirds. Eight people lived inside for two years, partaking in a unique experiment whose scale, daring and hard data have only now begun to be properly assessed. The purpose was to observe how humans interact with each other and their environment under specific limitations, how much air, soil and water they needed to thrive, while envisaging how, if humanity is to travel into distant space, it might best manage the long journey.

The project launch was held in the old Motorola research center in Oracle in 1985. It was the glasnost era, and among those participating in the endeavor aside from luminaries of the Royal Society, NASA and the Smithsonian, were the valiant Russian scientists who first experimented with closed systems, contributed to building the Mir space station and sent plants and small animals up with the cosmonauts, dreaming of an interplanetary future for Earth’s life forms. In the captivating atmosphere of that large timbered conference room, I apperceived the value of humanity’s epic quest for knowledge. That value was restored to me while perusing the extraordinarily wide-ranging research concerning meteorites and I hope the book will communicate some of the sense of amazement I experienced while writing it.

In addition to many years as columnist and commentator for Cairo, Beirut and London publications, I’ve worked for Vogue (New York), The International Herald Tribune and Süddeutsche Zeitung (Munich). Links to my ‘author’s pages’ are on the ‘non-fiction’ page of this site.I’m currently Middle-East reviewer for The Times Literary Supplement (London).

I’ve recently completed Asyut: Guardian City, a short illustrated history of the 5000-year-old regional capital in Middle Egypt, co-authored with Ilona Regulski, curator of the British Museum’s department of written culture, to be published by the museum later in 2018.

Aside from Egypt and space (urban, inner and outer) I’m a jazz aficionado and had the honor of  working in and later managing one of America’s most splendid music venues and performing arts centers, the Caravan of Dreams, in Fort Worth Texas (1985-1992). The Caravan was another seminal project realized by the Institute of Ecotechnics, with Kathelin Gray as artistic director.

I’m currently working on Ornette Coleman: The Territory and the Adventure, about iconoclast musician/composer Ornette Coleman (1930-2015), scheduled for publication by Reaktion Books in 2020.


Thanks for the visit!  (marigolia8@gmail.com)



6 Responses to About

  1. Martin Bienvenu says:

    Desolated that your Letter from Cairo will no longer appear in the New Internationalist. I look forward to exploring your website and reading “City of Sand”.

  2. Uma Vethathiri says:

    Just finished reading your excellent column of today in Daily News. Thank you, Bravo aliiki !

  3. Sam says:

    I enjoyed your excellent article in the Daily Star today. I wrote a comment congratulating you (but it has not been published yet).

    I live mainly in Tunisia where laughter is also on the wane. We have just been visited by that Egyptian arch-bigot, Wagdy Ghoneim, who called for Sharia law to be implemented in Tunisia. No humor there!

    Good luck to you!

  4. Just read your article in WLT on the trip to Cairo slum. I am wildly impressed…..:-)….eloquent, perceptive, intelligent…..wow, thanks…..what an eye-opener……if ever….all the best……Jakob

  5. dreeck1939 says:

    Thank you for “Luxor’s First Local Lens” in AramcoWorld, January/February 2015. The photos and text brought back many memories for me of my own visit there, and added much new information that I missed at the time.

  6. Nejla Sammakia says:

    I just read your piece on “mahraganat” in Egypt, in which you mention that men and women are segregated – I can well imagine that, I am Egyptain and I can see that the mahraganat, wonderful as they are, really belong to the male domain, but I was wondering if there are any similar alternatives by women? I imagine not, as even the younger generation seems to be quite conservative but more expressive on the whole, but who knows..

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